AERO STATEMEDIA

SERVICES

Scoped to the property, not a menu.

Most listings take two of these. A venue often wants the film as well. We say which, after we’ve seen the place.

Overhead view of a contemporary home, lawn, and reflecting pool among cedars

01

Aerial

The roof, the land, and the way in.

Flown low and cut quiet. Enough sky to place the property, never so much that the house becomes a speck.

Edited stills from the approach and overhead
A short aerial passage for the listing or the venue reel
Frames sized for the listing, the brochure, and a quiet social crop

Bright living room with a cream sofa and tall windows

02

Interiors

Daylight first. Then the room.

We wait for the light the architecture was designed around. Styling stays light-handed — what is already there, set in order.

A full interior set, room by room
Twilight frames where the house earns them
Select detail stills for the rooms that do the selling

Glass great room opening onto evergreen forest

03

360° View

A walk through, not a spin.

Rooms linked the way a guest would move. The tour is a sequence with a point of view, not a hallway of identical spheres.

A guided tour between the rooms that matter
Hotspots named in plain language
A still from each stop for the listing alongside the tour

Vintage car under a canopy at a private evening gathering

04

Event Film

The hour before anyone sits down.

Dinners, arrivals, and property films for venues that host. Short enough to send, paced like the evening actually felt.

A cut under two minutes, graded close to the light that was there
A shorter passage for stories and the venue page
Still frames pulled from the same evening

How a shoot is paced

01
Write
You tell us the property and what the listing or the venue needs to do.
02
Be there
We shoot in the light the place already has. Access notes matter more than a shot list.
03
Return
Stills the next day. A film within three. The tour when the rooms are linked.